Press (*Review)

bibliography peter anton
bibliography peter antonbibliography peter anton
bibliography peter antonbibliography peter antonbibliography peter anton

Pat Rogers, “’Frost Bite: A Show by Peter Anton’ at Gallery Valentine,” Hamptons Art Hub, August 13, 2015

Ady Floyd, “This Sweet Treat Art Exhibit by Peter Anton Evokes Happy Childhood Memories,” Trendhunter,  August 13, 2015

*Laura Feinstein, “Ice Cream Themed Art Exhibit To Remind Us Joy Still Exists In The World,” Good Magazine, August 11, 2015

Oliver Peterson, “Sculptor Peter Anton Celebrates Ice Cream in a Big Way,” Dan’s Papers, August 6, 2015

Kelly Taub, “The Best Art for Ice Cream Lovers,” Food & Wine Magazine, August 3, 2015

Editor, “PETER ANTON UNVEILS LATEST EXHIBITION: FROST BITE,” Guest of a Guest, August 1, 2015

Editor, “Opening Reception for Peter Anton’s “Frost Bite” at Gallery Valentine,” East End Beacon, August 1, 2015

Mark Segal, “Frost Bite in East Hampton,” East Hampton Star, July 30, 2015

Editors, “Artshow: Frost Bite by Peter Anton,” Hampton Daze, July 29, 2015 

*Catherine Thorbecke, “A ‘Foodhist’ Temple in Chelsea,” NYU Local, April 30, 2015

Gary Pini, “10 Must-See Art Shows Opening This Week,” Paper Magazine, April 15, 2015

Sara Bir, “The Larger-Than-Life Food Sculptures of Peter Anton,” Paste Magazine, April 10, 2015

Jackie Hart, “Peter Anton’s “The Foodhist Temple’ Opens at The Unix Gallery,” Downtown Magazine, April 7, 2015

Florence Fabricant, “Food Sculpture by Peter Anton,” The New York Times, April 6, 2015

Angie Kordic, “Peter Anton’s Foodhist Temple,” Widewalls, April 2, 2015

Editor, “Peter Anton's ‘Foodhist Temple’ at UNIX Gallery NY,” ArtFix Daily, April 1, 2015

Editor, “What We’re Seeing: Peter Anton: The Foodhist Temple,” Christie’s News, March 30, 2015

Susan Dunne, “Michael Pollan’s ‘Omnivore’s Dilemma’ Focus of Two UConn Exhibits,” Hartford Courant, February 6, 2015

Danielle Rahm, “If You Love Warhol, Koons And Hirst But Can't Spend Millions, Try These Artists For Less,” Forbes Magazine, October, 2014

Carole Huyvenaar, “Pour l’amour de l’art : le Petit Pergolèse,” Men’s Up Magazine Paris, June 3, 2014

Mckenzie Graham, “Good Enough To Eat – Peter Anton’s Supersized Multimedia Sculptures of Sweets Bring a Sense of Nostalgia and Surprising Lightness to the World of Food Art,” The Artist’s Magazine, December, 2013

Arts Editor, “Peter Anton: Random Acts of Indulgence,” SFgate, July 17, 2013

Arts Editor, “’Köstliche Mischung’ in Schloss Gottorf,” Hamburg Magazine, April 7, 2013

Stephanie Wright Hession, “Sculptor Peter Anton's solo exhibition, "Random Acts of Indulgence," Bay Area Arts, July 26, 2012

Editor, “Artist Peter Anton's 'Random Acts of Indulgence' channels Willy Wonka and Jeff Koons,” Art Daily, July 2, 2012

Art Editor, “Peter Anton: Random Acts of Indulgence,” Wall Street International, June 17, 2012

Editor, “Art Basel Miami Beach - Sugar & Gomorrah Carnival Ride by Peter Anton,” The Daily City, December 21, 2012

John Hood, “Our Man In Miami: Peter Anton Tickles Art Basel’s Sweet Spot,” Black Book, December 14, 2012

Aly Weisman, “The Most Outrageous Works We Saw At Art Basel Miami Beach,” Business Insider, December 11, 2012

B. Caplan, “Julian Lennon on U2's The Edge and Art Basel: "Cakes and Sex? I'm Up For It," Miami New Times, December 11, 2012

B. Caplan, “The Art Cops on Art Basel 2012's Worst Offenders and Attempting to Bust Banksy for Crimes Against Art,” Miami New Times, December 11, 2011

Ciara LaVelle, ”Art Basel Miami Beach 2012: Winners and Losers,” Miami New Times, December 10, 2012

James Cubby, “An Art Marathon,” South Beach Star, December 10, 2012

EFE, “Miami se viste de arte urbano,” Telemundo, December 8, 2012

Douglas Hanks, “ROLLER COASTER DOUBLES AS ART INSTALLATION,” Miami Herald, December 8, 2012

Laine Doss, “Art Miami and Context: The Most Intriguing Food Art We've Seen,” Miami New Times, December 7, 2012

Elaine Chen, “So, You Like Space Flight? Naked People? Doggies? Art Basel Has Something For All,” WLRN, December 6, 2012

Jill Spalding, “Art Basel Miami Beach 2012,” Studio International, December 6, 2012

Hannah Sentenac, “Sugar and Gomorrah: Peter Anton's Roller Coaster Features Nearly Nude Couples and Giant Candy,” Miami New Times, December 5, 2012

Sarah Nicole Prickett, “Let’s just call it Art Ba$el Miami,” The Globe And Mail, December 5, 2012

Ciara LaVelle, “Wednesday's Best Art Basel Events: Wynwood Radio Live, Gypsy, and the Sugar Roller Coaster,” Miami New Times, December 5, 2012

Editors, “Peter Anton – The Fun of the Fair,” The Art Newspaper, December 5, 2012

Joel Kuennen, “Doing It Right: Art Basel Miami Beach,” Artslant, December 5, 2012 

Tara Solomon, “Art Basel Diary, Day One,” Huffington Post, December 4, 2012

Andres Viglucci & Jordan Levin, “Art Week Miami Gets off to a Busy Start,” Miami Herald, December 4, 2012

Amanda McCorquodale, “Peter Anton's Sugar & Gomorrah Ride Gets Sweet And Sinful For Art Basel Miami Beach,” Huffington Post, December 3, 2012

Tere Figueras Negrete, “Satellite fairs booming during Art Basel Miami Beach,” Miami Herald, December 3, 2012

Liana Lozada, “Peter Anton's 'Sugar and Gomorrah' - Anton will show a "rideable" exhibit juxtaposing carnal and confectionery desires,” Ocean Drive Magazine, December 3, 2012

Editor, “Peter Anton’s ‘Sugar & Gomorrah’ Presented by Arcature Fine Art,” Premier Miami Guide, December 3, 2012

Hrag Vartanian, “Art Miami Debuts "Sugar and Gomorrah" Carnival Ride,” Hyperallergic, December 3, 2012 

Benjamin Sutton, “Roller Coaster Installation Will Take Art Miami Attendees on a Sweet, Apocalyptic Ride,” Artinfo, December 3, 2012

Jan Sjostrom, “PBers Discuss Upcoming Art Basel Miami Beach,” Palm Beach Daily News, December 2, 2012

Editors, “Welcome to Miami: Part 3,” Nylon Magazine, December 2012

Editor, “The top 10 places to Basel your face off this year,” Thrillist, December 2012

Sarah Nicole Prickett, “Your 12-Step Guide* to Art Basel Miami Beach,” Bullett Magazine, November 28, 2012

Arielle Castillo, “TEN (OUT OF 10,000) THINGS TO DO DURING ABMB 2012,” Beached Miami, November 27, 2012

Hannah Sentenac, “You Can Ride a Real, Functional, Candy-Coated Roller Coaster at Art Miami This Year,” Miami New Times, November 19, 2012

Sean McCaughan, “At Art Miami This Year: A Candy Roller Coaster Of Sex & Doom,” Curbed, November 19, 2012

Julika Pohle, “Delicious blend" in Gottorp Castle,” Die Welt, November 16, 2012

Thomas Gädeke, “Im Kreuzstall: Pralinen für die Augen,” SHZ Germany, November 7, 2012

Michael Radtke, “Ein Spiegel der Kunst unserer Zeit,” SHZ Germany, November 5, 2012

Gary Pini, “From Candy-Themed Carnival Ride to a Hotel Transforming into a Dog and More,” Paper Magazine, November 5, 2012

Martin Schulte, “Leckereien auf Schloss Gottorf,” SHZ Germany, November 3, 2012

John Hood, “Nite Talk: Art Miami’s Nick Korniloff Talks Banksy and Other Upcoming Art Week Wonders,” NBC News 6,  November 2, 2012

Susanne Kupke, “Gehakeltes Eis und Riesen-Smarties,” Stimme, December 7, 2011

*Nike Luber, “Kunstler Widmen Sich der Lust auf Naschen-Sussigkeiten ist Thema der Ausstellung ‘Extrem Suss!’ in Karlsruhe,” Boulevard Baden, December 1, 2011

Christine Sussdemuth, “Sweet Enjoyment of Art,” EPD-Landesdienst Sudwest, December 1, 2011

Nancy Ruhling, “Antiques, Art & Design at the Armory,” Maine Antique Digest, December 2011

*Arts Editor, “Extreme Sugar!,” Kultur, December 2011

*Manuela Huebner, “I Love Aldi,” SWR, November 26, 2011

Diane McEnaney, “Candy Has Been The Sweet Obsession Of Artist Peter Anton,” On View Magazine, October/November 2011

Tim Ackermann, “Pralinen, Plagiate, & Prozesse,” Die Welt, June 25, 2011

Lita Solis-Cohen, “Antiques & Art at the Armory,” Antique Digest, January, 2011

Amy Shaw, “Dealer Forced to Stop Sales – Munich Galerie Terminus has been Accused of Copying Works by Artist Peter Anton,” The Art Newspaper, December 2010

John Birdsall, “Sweets the Subject of Contemporary Art Show,” SF Weekly, November 10, 2010

Bettina Link, “Prozess um Pralinenschachteln,” Munchner Merkur, October 16/17, 2010

Heidi Burklin, “Olympia mit neuem Gesicht: Als LIFAF strebt man nach Hoherem,” Welt, June 12, 2010

*Christina Kirsch, “To Melt Away,” Sudwest Presse, March 22, 2010

Arts Writer, “Susse Verfuhrung in der Galerie,” Koln Nachrichten, March 11, 2010 

M.I.B., “Candy Art! Sogar Bill Clinton steht auf Kunstar Peter Anton,” Bild, March 11, 2010

Arts Writer, “Diese Kunst ist zum Anbeissen,” Express, March 9, 2010

*Adrienne Braun, “Sechs Nullen Sind die Absolute Ausnahme,” ART, March 8, 2010

Christianne Meixner, “Tischlen deckt sich,” Der Tagesspiegel, March 7, 2010

Arts Writer “Der Drang zur art Karlsruhe halt an,” Der Sonntag, March 7, 2010 

*Adrienne Braun, “Tapetenfiguren schiessen sich tot,” Stuttgarter Zeitung, March 5, 2010

Alabiso, “Hoher Prestigewert: Grosser Andrang bei Eroffnung der art Karlsruhe,” Neueste Nachrichten, March 4, 2010

J. Kan, “Peter Anton’s Sweet Attraction,” Artjournal, October 31, 2009

Jay Yan, “Sweet Attraction: American Artist Peter Anton is Holding His First Solo Exhibition in Asia,” The Korea Herald, October 8, 2009

Han Sang-Hee, “Sweet Attraction at Urban Art,” The Korea Times, October 8, 2009

CNB News Korea, “Peter Anton is Candy Warhol,” October 7, 2009

Florence Fabricant, “Art as Food, Food as Art,” New York Times, May 13, 2009

Deborah Hornblow, “The Sweet Life: Anton’s Oversized Works Look Good Enough to Eat,” The Hartford Courant, April 30, 2009

Joe Tone, "What Seduces You? The Madden Museum of Art Wants to Know," Denver Westword, February22, 2009

Scott Fisher, “Setting the Stage for Fine Art,” Sun Sentinel, February 2, 2009

“Peter Anton Plaisirs geants,” Le Point Magazine, May 17, 2008

Maurice Beaudrey, “Des boites de chocolats sur les murs,” Le Figaro Magazine, May 17, 2008

W. Robinson, “Optimism at Art Fairs,” Artnet, April 24, 2008

Catherine Hickey, “Art Cologne Sells Picasso, Warhol, Kirchner as Visitors Decline,” Bloomberg News, April 21, 2008

Thomas Kliemann, “Zwischen Kunst und Cappuccino,” General-Anzeiger, April 20, 2008

Hanna Styrie, “Lob furs Abspecken, Kritik an Open Space,” Kolnische Rundschau, April 20, 2008

Petra Augustyn, “Art Cologne dank Daniel Hug wieder ganz vorne mit dabei,” Europolitan, April 18, 2008

Gerhard Charles Rump, “Auferstanden aus Intrigen-Art Cologne,” Welt, April 18, 2008

Dierk Hartleb, “Pralinen, Vaseline und ein bisschen Kaffee,” Westfalische Nachrichten, April 18, 2008

CBS News.com, April 17, 2008

AP Photo by Herman J. Knippertz, “Dream Box”, April 16, 2008

Catherine Hickey, “Picasso, Braque, Nolde Claim Top Prices at Slimmer Art Cologne, Bloomberg News, April 15, 2008

Marianne Hoffmann, “Goody Money for Good Art,” Welt, November 10, 2007

Karen Whaley, "TIAF: Art You Love, But Probably Can't Afford," Torontoist, October 28, 2007

* John Goodrich, "Sweet Seduction in Varied Forms," New York Sun, August 2, 2007

Bettina Krogemann, "Sektkorten Knallen auf Tronchetto," Welt, June 9, 2007

Dick Kagan, "Feast for the Eye," Art & Antiques, May, 2007

Bettina Krogemann,"Panorama: Munchen, Galerie Termius, Peter Anton," Welt, May 26, 2007

Kimberly Hoppe, "Eine Ausstellung zum AnbeiBen," Abendzeitung, April 26, 2007

Claus Dreckmann, "Lifting fur die Mutter aller Messen," Bunte, April 26, 2007

Ganz-Muenchen.de, "Choc Art eines 'Candy Warhol' in der Galerie Terminus - Peter Anton ‘Bigger than Life’,” April, 2007

WDR.de, "Art Cologne im zweiten Fruhling?," April 20, 2007

Dorothee Achenbach, "Pralinen fur stolze 40,000 Euro," Bild.de, April, 2007

Staff Writer, "Art Cologne 2007: Rescheduling pays dividends," Cosmoworlds, April 20, 2007

Unwrapped, hosted by Marc Summers, Food Network, December, 2006

*Ed McCormack, “Talent: An Annual Tradition at Allan Stone Gallery,” Gallery & Studio, Nov/Dec 2006

Mark Liebermann, “Candy Warhol,” Genre, June, 2006

Richard Walsh, "Funny Valentine," Metrosource, February/March, 2006

Wayne Countryman, “It’s Low Calorie—Really,” AmericanStyle Magazine, February, 2006

Dimitri C. Michalakis & Vicki J. Yannias, “How Sweet It Is!,” NEO Magazine, November, 2005

Emma Wilson, “Emma on the Loose,” XM Radio, October 9, 2005

Kris Ensminger, “The Art of (Edible) Food,” The New York Times, October 2, 2005

Arts Editor, “Sweet Tooth,” The New York Sun”, September 29, 2005

Rosemary Black, “Chocolate-Box Art,” Daily News, September 28, 2005

Florence Fabricant, “Outsize Treats Without the Calories,” The New York Times, September 21, 2005

Gregory Angelo, “Rocky Roooad,” Next Magazine, September 16, 2005

Robert Varley, “Play With Your Food,” New Haven Register, September 14, 2005

Liz Smith, “Column – Just Plane Rude,” New York Post, September 4, 2005

Susanne Casgar, “Exhibit Celebrates Nation’s Sweet Tooth,” Art Business News, September, 2005

Cristina Kinon, “How Sweet It Is!,” Gotham, September, 2005

Leslie Jay, “Eye Candy,” In New York, September, 2005

Francis Lewis, “Sweet Art,” Where New York, September, 2005

Beverly Stephen, “Good Enough to Eat,” Food Arts, September, 2005

Randy Johnson, “The Candy Man,” Hemispheres, August, 2005

Jeanette Hendler, “Art Miami 2005: Diversity & Diversions Define the Miami Season, ”Art Fairs International, February, 2005 

WVIT TV NBC, Connecticut, February 12, 2004

 “Valentine Art for Lovers,” Boomer Times & Senior Life, February, 2004

Deanna Isaacs, “Imitation Chocolate?,” The Chicago Reader, November 7, 2003

Caroline Rhea Show, November 25, 2002

Corey Sipkin, “How Sweet It Is,” New York  Daily News, November 18, 2002

Christine Haughney, “Chocoholics Revel: How Sweet It Is, “Washington Post, November 18, 2002

Reuters, “Chocolate Show Goes Beyond Caramel, Nuts,” November 16, 2002

WNBC New York, November 15, 2002

*Ed McCormack, “Navigating the Pluralistic Pleasures of ‘Talent 2001.’” Gallery & Studio, December, 2001/January, 2002

George Calonaros, “Peter Anton’s Mouth-Watering Sculptures Lure Art Lovers—Not to Mention Chocoholics,” Greek-American Herald, May 31, 2001

Lufthansa Flyer Magazine, January, 2001

National Public Radio, The Splendid Table, December 8, 2000

Amy J. Berry, “Sometimes a Giant Melon is just a Giant Melon: Guilford Sculptor Peter Anton Makes It Big in Art World,” Guilford Courier, November 30, 2000

William Zimmer, “Now Playing in Studios Near You,” The New York Times, November 19, 2000

Dimitri C. Michalakis, “An Artist Who Sculpts…Food,” National Herald, November 18, 2000

WVIT TV NBC, Connecticut, November 17, 2000

Dan Jewel & Anne Longley, “That’s Inedible! Artist Peter Anton’s Giant Food Looks So Real, Collectors Eat It Up,” People Magazine, October 23, 2000

WFSB TV CBS, Connecticut, October 23, 2000

Alexandra Jacobs, “Peter Anton’s New Exhibit King Size,” The New York Observer, October 9, 2000

Paul Schindler, “Mouth Watering Art,” LGNY, May 6, 1999

Carol Sims, “’Sweet Shangri-La’ in New York City,” Antiques and The Arts Weekly, April 30, 1999

Chris Hayes, “Sweet Child of Mine,” Next Magazine, April 30, 1999

Jason Smith, “Fantastic Food,” Fork in the Road, Fall 1998

David O’Neill, “What’s for Dinner?,” Décor, June 1998

Sallie Han, “Takeout of This World: Well Done! Sci-fry guy Sculpts close encounters of the munchy kind,” New York Daily News, Sunday Extra, May 3, 1998

Chris Cimino, “Best Bets,” WNBC Saturday Today New York, May 2, 1998

Paulette Weiss, “Bite This,” Where New York, May 1998

*Vivien Raynor, “Show With Images of Food, But Not for the Hungry,” The New York Times, April 26, 1998

Heather Calomese, “Looks delicious,” New York Blade News, April 24,1998

Choc-o-rama, Hybrid Films, European TV Documentary, 1997

Jason Smith, “From the Plate to the Palette,” Restaurants USA, May 1997

Jeanne Moos, CNN Headline News, May 1996

B.P., “Spring Success Stories,”  ARTnewsletter, May 28, 1996

Donna Hanover’s “In Food Today,” Television Food Network, May 2, 1996

Paulette Weiss, “Of Chocolate and Kings,” Where New York, May, 1996

Julie Mautner, “Art is Like a Box of Chocolates,” Food Arts, April, 1996

Florence Fabricant, “Inspired by Chocolate,” The New York Times, April 24, 1996

Sallie Han, “Kitchen Arts,” New York Daily News, April 24, 1996

Phyllis Boros, “Anton in New York,” Connecticut Post, April 21, 1996

Joan Reminick, “Fine Art Chocolate,” Newsday, March 29, 1996

*Amber Scott, “Feast your Eyes on this new Exhibit,” The University Star, March 28, 1996

*Christopher Hess, “Feast for the Eyes,” The Austin Chronicle, March 1, 1996

Madeline Irvine, “An Appetite for Art,” Austin American-Statesman, February 28, 1996

Else Mogensen, “Pulse: A Melon Slice to Hang on the Wall,” Alt For Dameme Denmark, September 21, 1995

Stephanie Dolgoff, “Soho Food for Thought,” New York Post, June 22, 1995

Paulette Weiss, “Welcome To ‘The Great American Seed Show,’” Where New York, May, 1995

Alex Kuczynski, “Seedy City,” The New York Observer, May 1, 1995

Stephen Garbarino, “Invitation of the Month,” Manhattan File, May, 1995

Monique P. Yazigi, “Peppers and Melons are Food for Art,” The New York Times, April 23, 1995

Marcelle DiFalco, “Pick a Peter Pepper,” Food Arts, December, 1994

*Richard Huntington, “An Artists’ Sampling of Food, Glorious Food,” The Buffalo News, September 22, 1994

*Ellen S. Comerford, “’Consuming Passions’ Exhibits a Delectable Treat,” Niagara Gazette, September 16, 1994

Robin Leach’s “Talking Food,” Television Food Network, May 20, 1994

Eric Gibson, “Regarding Henri,” The Washington Times, August 8, 1993

Colleen Grewing, “Expecting the Unexpected,” Where Washington, July, 1993

Melissa Duffes, “X-Sightings,” Art Voice, June 16, 1993

*Richard Huntington, “All in Fun, Fun, Fun at Anderson Gallery,” The Buffalo News, June 6, 1993

Phyllis Boros, “EAT IT UP: Peter Anton’s Art Makes People Happy-and Really Hungry,”  Connecticut Post, May 23, 1993

Ken McIntyre, “ON VIEW: De Gustibus,” The Washington Times, May 23, 1993

Arts Writer, “The exceptionally appetizing work of artist Peter Anton,” Washington Blade, May 21, 1993

Sarah Grusin, “Food for Thought,”  Washington Flyer Magazine, May-June, 1993

Julie Mautner, “Food Artist,” Food Arts, May, 1993

Judith Olney, “For Artist, it’s OK to play with food,” The Washington Times, April 28, 1993

Associated Press, “Shower of Gifts on the Road to the White House,” February, 1993

WTNH-TV ABC Action News, Connecticut, February 4, 1993

Mary Colurso, “Small Packages:Art Packs a Big Whallop at Artspace,” New Haven Register, December 20, 1992

*Eric Fleischmann, “’Choice’ Images from 80 Artists,” New Haven Register, August 16, 1992

*Phyllis Boros, “The Arts of the State-Diversity Marks Barnum Exhibit,” Connecticut Post, June 28, 1992

Susan M. Braden, “Art to Go: Sculptor turns Studio into Fast-Food Take-out Joint,” Shore Line Times, February 19, 1992 

*Phyllis Boros, “The Jury’s in: Barnum Art Show A Winner For All,” Bridgeport Post, June 16, 1991

Web Analytics